Tenor Anthony Dean Griffey produced large and gleaming tone and displayed subtle musical and verbal intelligence. He is an altogether exceptional artist.” – Boston Globe

Recording | Deutsche Grammophon

“Elizabeth Futral’s Stella, and Anthony Dean Griffey’s Mitch (whose idealism – not least the one brief, shining moment in Act 2 where he is able to articulate something of his belief in love – is so touching) are each outstanding.”

Author Unknown, Gramophone, April 1999

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